Ganggangsullae [강강술래] is a seasonal harvest and fertility ritual popular in the south-western part of the Republic of Korea, performed primarily on Korea’s Thanksgiving [Chuseok] in the eighth lunar month. Under a bright full moon, dozens of young, unmarried village women gather in a circle, join hands and sing and dance all night under the direction of a lead singer. During interludes, the women playfully mime vignettes reflecting life in a farm or fishing village, including treading on roof tiles, unrolling a mat, catching a mouse or tying herrings. The dance takes its name from the refrain repeated after each verse, although the exact meaning of the word is unknown. Once a rare break from restrictive rules governing the behaviour of rural young women who were not allowed to sing aloud or go out at night, except during the Chuseok Thanksgiving celebration, the ritual is mostly preserved today by middle-aged women in cities and taught as part of the music curriculum of elementary schools. Now practised as a performing art throughout Korea, it can be seen as a representative Korean folk art. It is an important hereditary custom drawn from the rice culture that pervaded daily life in the countryside. The easy tunes and movements can be learned quickly for this communal practice that contributes to harmony, equality and friendship among the women dancers.
redtea - 2.3yr
That's fascinating. Interesting to see it had a rebellious start as a chance for women to sing about their oppression and liberation. I notice that it's changed from challenging gender oppression to bridging a generation gap. I wonder whether that changed after the war and whether they either keep it traditional in the DPRK or whether they also changed it, and to what. The UN is recording this for the culture; it would be interesting to see that put into historical context.
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TankieReplyBot - 2.3yr
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afellowkid in korea
[Documentary] About Ganggangsullae, a Korean traditional circle dance and communal folk play of the harvest season
https://www.youtube.com/watch?v=6D73WBzzEG4From the video description:
That's fascinating. Interesting to see it had a rebellious start as a chance for women to sing about their oppression and liberation. I notice that it's changed from challenging gender oppression to bridging a generation gap. I wonder whether that changed after the war and whether they either keep it traditional in the DPRK or whether they also changed it, and to what. The UN is recording this for the culture; it would be interesting to see that put into historical context.
A YouTube link was detected in your post. Here are links to the same video on Invidious, which is a YouTube frontend that protects your privacy: